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Pamela Barnet Sensory Space Project – Case Studies

Posted on July 18, 2024 at 12:18 am.

Written by martin

In the previous edition of the newsletter Norwood shared their experience with the Pamela Barnet Sensory Space Project. This time they share two case studies highlighting the impact the Sensory Space has.

The Pamela Barnet Sensory Space showing a rock pool being projected on the floor and various other pieces of sensory equipment, including a large soft toy nemo.

Case study- Bry*- Ravenswood Resident

Bry using the mobile magic carpet on her lap

Bry is non-verbal, with very limited movement and she tends to withdraw from people if her mood is low. In order to support Bry we have provided one-to-one sessions in the sensory room, which have helped her because the sensory experiences are distracting and helps her to re-engage with her surroundings and has allowed more social interaction with her carers.

The use of the new sensory equipment has enabled Bry to communicate her choices more clearly through eye pointing. She indicates clearly what holds her interest through her gaze and facial expression if she is not interested, Bry will look away or not respond. Her preferences tend to be visual, which has made the projected interactive images provided by the Omi Reflex projector particularly beneficial, as Bry can look at them directly and track their movements across the screen.

Because of Bry’s very limited movement, the use of the mobile magic carpet has been adapted for her by projecting images on a tabletop which is extended by using a white sheet over her lap so she can look down on the pictures and touch the image movements to cause an effect. When Bry is completely engaged, her arms and hands relax, enabling her to press a switch to operate an interactive toy or bubble machine. She demonstrates a clear understanding of cause and effect by repeating the action without prompting if she enjoys the result, giving a tiny smile at the end.

The refreshed sensory provision has had a very positive impact for Bry it has helped her reestablish some old skills and enhanced her levels of engagement and well-being. What the staff have noticed is that the more Bry engages with the sensory provision in the home, the more Bry is able to transfer the communication skills learnt to other areas and activities using her eye movements.

Case Study Laura – Ravenswood Support Worker

Laura, one of the support workers at Pamela Barnet, with Bry in the Sensory Space

Laura, one of the support workers at Pamela Barnet, has been working closely with the new sensory equipment. Through direct practical application, she has increased her understanding of the methods of communication best suited to the individuals she supports. This understanding has transferred into her daily tasks, making life easier in the home.

For many years, Ravenswood has benefited from the Karten Network funded sensory room in the precinct. Norwood is keen that knowledge is more widely applied by staff to enable the people we support. The renewed interest in the sensory area has provided Laura with development opportunities to create new sensory activities. This new responsibility has enhanced her role as she can use new equipment to add to the care provided, increasing engagement, regulation and communication in imaginative ways to benefit the people she supports.

Laura has reported that she’s noticed a renewed uptake in staff members taking individuals to the sensory room since the new equipment has arrived. The people we support have been using the facilities more regularly which has increased their alertness and engagement.

Laura explained that having more flexibility with the range of equipment allowed staff to respond more spontaneously to the needs of the people in their care, providing calming activities should someone be distressed. It also enabled staff to offer alternative sensory activities during bad weather or when other activities are cancelled. Also, being able to move the mobile projectors along with smaller items means the equipment is more fully used.

Laura has been planning with Wendy, future sensory themes and is keen to link other activities in and outside the home. For example, using a jungle theme with sensory stories link them with jungle art projects to decorate the home, taste sessions if appropriate, and an off-site visit to the Living Rainforest Experience.

Laura said, “I am keen to get a more structured timetable for the sensory room in place so all the residents can benefit more regularly from the enhanced facility. I have seen the benefits of the sensory provision for different individuals, and their sensory preferences should form part of their person-centred activity planning.”

Impact

  • The purchase of the additional mobile sensory equipment has enabled more variety and flexibility, as certain activities can be taken to individual flats or bedrooms as needed. For example, Jay* had become quite distressed and the Mobile Magic Carpet and fibre optics were taken to his room. This created a calming sensory activity which helped him to refocus, improving his mood and regulation. An additional positive outcome was the increased confidence of the staff to respond in a proactive way. The flexibility, simplicity and ease of use of items such as the Magic-Carpet and Omi-Reflex projector have encouraged more use of the equipment, therefore benefiting the people we support.
  • Staff have been able to refresh their approaches to working with the people we support in the sensory room. Closer observation of the responses from the people we support has increased staff understanding of individuals sensory preferences, communication methods and social interaction.
  • Staff have been enabled to develop more detailed ‘sensory profiles and how to work with me’ documents so new or agency staff have a reference point when engaging with an individual in the sensory room. This continues as a developmental piece of work.
  • With the investment in new equipment, a further outcome has been that the Pamela Barnet home has appointed a member of staff to focus on and co-ordinate the sensory activities provided. This has helped to embed and drive the thematic sensory approach so that good practice is developed with the staff, while ensuring full use of the equipment.
  • The impact of the new mobile sensory equipment has resulted in an increase in equipment being used.
  • Development includes further thematic approaches not only in the sensory space but linked with other activities around the home. The aim is to create immersive experiences in the form of events, including a themed sensory story space in decorated areas around the home created by in house art activities, themed food and music.
  • Encouraging staff to take imaginative, creative ideas that incorporate sensory diets will- further benefit the people we support.

Next Steps for sensory provision at Ravenwood

  1. To embed the use of the sensory provision within individual’s person-centred plan. Completing sensory profiles.
  2. Continue to widen staff awareness and skills within the sensory provision through ongoing training.
  3. Plan new sensory activities for the coming year and keep the momentum going!

Norwood’s use of Assistive Technology (AT) is at a critical point. Transitioning from older analogue to digital technology. Aiming to consolidate and embed its extensive organisational knowledge and expertise gained over the past decade. By prioritising user engagement, empowering individuals, and fostering a culture of knowledge sharing, Norwood can create a future where digital technology serves as a powerful tool for enhancing the lives of the individuals we support.

We are tremendously grateful to The Karten Network for your continued support. We appreciate your ongoing partnership as we work to enhance the lives of those in our in our community.

Thank you!


Pamela Barnet Sensory Space Project

Posted on April 18, 2024 at 8:07 pm.

Written by martin

We have established a new immersive, mobile, multisensory Assistive Technologies (AT) facility for the people we support in Ravenswood. This was an opportunity to provide additional wellbeing opportunities using AT with a focus on reaching more people with complex needs. Ravenswood has an ageing population and is supporting people through many health-related and emotional issues, including early onset dementia, bereavement and loss. With funding from the Ian Karten Charitable Trust, we have expanded our use of technology to provide an immersive, multi-sensory room that can be moved to various locations and homes in Ravenswood.

The Concept

The sensory room, showing a star scene projected on the floor, a picture projected on the wall. a sensory tent, and various other types of sensory equipment.

The aim for the project was to provide a calming, flexible space that could be adapted to allow different themes and activities to be offered. This would enhance services by combining new technology with some existing activities, increasing reach and meeting a wider range of needs. We wanted to provide an immersive sensory room that could be moved to different locations to offer multi-sensory experiences.

We had seen the benefits of assistive technology on the people we support with learning disabilities and autism. Our experience has shown that by incorporating further technology, we can positively enhance social opportunities which stimulate interest, curiosity, engagement, and learning. This immerses the people we support in a sensory world where they can relax and express themselves freely while exploring their visual, auditory, tactile, and olfactory senses. This approach offers the people we support, a chance to experience mindfulness in a meaningful way for them and offers a way to relieve stress and enhance overall wellbeing.

The Sensory Thematic Approach

We chose to set up the project in a room in the Pamela Barnet service at Ravenswood. This location enables us to raise awareness of our sensory space for both the people we support and staff.
Alongside our existing sensory equipment, the funding from Ian Karten Charitable Trust has enabled us to approach our sensory delivery with fresh eyes and find new inventive ways to use it. The use of the latest Magic Carpet Reflex projector, and different sound elements has enhanced the immersive experience, drawing in both the people we support and staff in new ways to explore and engage with AT.

Project Launch

All the equipment required to complete this project has been delivered and installed.

Two photos, the one showing sensory equipment on a table. This includes mirrors and lights. The other photo shows a wide green sofa chair, next to a wooden tolly. On the trolly there are various shakers and other sensory toys.

Wendy Yeomans is Norwood’s Intensive Interactive specialist, working alongside staff, to help them become familiar and confident with a variety of approaches when using AT.

  • Providing ongoing staff training
  • Building confidence in using the sensory equipment
  • Developing staff confidence to use their own creative skills to build positive sensory experiences
  • Encouraging staff to integrate their new skills and understanding of various approaches into sensory stories and themes for the people they support

The aim of using assistive technology is to:

  • Maximise engagement and interest from the people we support
  • Enable preference and choice
  • Improve communicative responses
  • Supports behaviour regulation
  • Develop understanding of cause and effect

Wendy enabled staff to observe individuals’ interactions in a more focused way, paying attention to body language, facial expression, eye movement or vocal responses, however small.

Staff have been given record sheets to record which equipment has been used and when. They also recorded outcomes in relation to the people we support and their engagement with particular items. This recording activity assists in identifying individual’s sensory motivators and preferences so personal sensory programs can developed to increase levels of engagement and enjoyment in the future.

Read part two of this article, the case studies.


The extraordinary story behind ‘The Extraordinary Lives of Stephanie and Joe’

Posted on July 12, 2019 at 10:50 am.

Written by martin

Central London cinema, with full-size posters plastered all round.

The short documentary we called The Extraordinary Lives of Stephanie and Joe came about by chance. At the end of 2018, a friend asked me to forward the link to the Oska Bright Film Festival to my son, Oscar, who has NVLD (Non-Verbal Learning Disability) and is a film-maker in his final year at college. The festival, produced by Carousel, a Brighton-based arts charity, challenges and supports the film industry to change, and to be more inclusive and representative of the society it serves. There are 1.4 million people with a learning disability in the UK and we see a variety of people every day in the real world, so why isn’t that reflected on screen?

The Oska Bright Film Festival is a disabled-led event that puts people with learning disabilities at the heart of the work.  The intention was that Norwood would enter this short film in the festival and I was clear that I wanted the film to provide a glimpse into the lives of the sort of people that Norwood supports.  This was not a promotional film for Norwood, but rather an opportunity to tell the stories of individuals connected to the charity and so indirectly highlight the ethos and care for everyone who comes into contact with Norwood.  

This film and Norwood’s involvement in the Oska Bright Film Festival offered a powerful opportunity  to communicate the work that Norwood does. The overall message was that Norwood is a 21st century organisation and part of the disability-led narrative.  People underestimate those with learning disabilities and Norwood wants to enable people to attain their full potential. This film is part of that public attempt to reach out and engage directly with the learning disabled world in a totally different way; one that embraces creativity and imagination while celebrating the individual.

I knew that I had my film-maker and editor in Oscar.  The film would be fun, uplifting and show how Stephanie and Joe, two young adults, live their lives to the full with the help of Assistive Technology.  By the end of the film audiences would see the individuals and not the wheelchairs. Dr Beverley Jacobson, the CEO of Norwood, gave the go-ahead and the planning began. 

Oscar and I visited Stephanie and Joe many times, spending time with them and asking them to help us understand how they use AT. They demonstrated opening and closing doors, using Eye Gaze, playing Xbox , playing games and so much more. We met with and spoke to parents and support staff and by the end of the filming period – which took place over February and March – we knew that we had something very special. The film was shot on a hand-held camera, documentary style, and Oscar filmed and edited the footage to 14:33 minutes. We had our film!

Stephanie and Joe and staff from Norwood, standing outside the cinema

The next step was to plan a celebratory premiere with a screening in a Central London cinema, with full-size posters plastered all round and goodie bags for everyone.  We achieved all of that and more, as you can see from the picture of Stephanie and Joe in front of the poster.

The panellists were an inspiring collection of individuals selected to fit in with and facilitate the conversations the film prompted. David Banes runs Access.org, which includes all aspects of access and inclusion through disability. Ross Atkin is a designer and engineer and is particularly interested in older and disabled people, digital technology and public spaces and works on a variety of projects that combine at least two of these areas. Jessi Parrott is a writer, performer and PhD student who has cerebral palsy and campaigns for equality and inclusion for disabled people. Jenny Sealey is CEO of Graeae Theatre Company, an integrated dis/abled theatre company, who told the audience: “What Graeae does is make theatre that matters and challenges audiences perceptions: they ‘fall into’ the play so they stop judging. It stops being about disability, and becomes about talent.” Cassie Gurling is Musical Inclusion Practitioner & Manager for Drake Music, which believes that everyone has the right to express themselves creatively through music and uses new technologies and ideas to open up access to music for all. Their vision is a world where disabled and non-disabled musicians work together as equals.

The screening took place on 13 June 2019 at the Curzon Cinema, Mayfair and, thanks to the generosity of supporters and sponsors, we all had a truly extraordinary night at the cinema with Stephanie and Joe.


Pop-Up Sensory Space Project

Posted on April 10, 2019 at 12:00 pm.

Written by martin

Norwood’s Complementary Services and Assistive Technology Team joined forces to successfully bid for funding from the Karten Network. We wanted to expand our use of technology to provide additional wellbeing opportunities with a focus on reaching more people with complex needs. The aim of the project was to provide a tranquil, flexible space that could be adapted to allow different themes and activities.  This would enhance services by providing new opportunities alongside combining new technology with some existing activities increasing reach and meeting a wider range of needs.

We had already seen the benefits of assistive technology from the work undertaken by Norwood’s Assistive Technology Team and felt that by adding further technology we could positively enhance social opportunities that would stimulate interest, curiosity, engagement and experiential learning; immersing people in an alternative world where they can relax and express themselves freely while exploring their visual, auditory, tactile and olfactory senses. This approach would give the opportunity for the people we work with to experience Mindfulness in a way that is meaningful to them; allowing them a space to just be, in the present moment with the aim to relieve stress and enhance the sense of wellbeing. By combining the new equipment funded by the Karten Network with existing sensory resources we have been able to create the beautiful environments featured.  

Project Launch

Hanukkah Celebration Week commencing 3rd December 2018.

The tented area was dressed as the old Synagogue on the hill

We wanted to launch the project with a fanfare and make sure we quickly captured people’s imaginations and interest. Therefore the launch was combined with the week of the Hanukkah Fair which provided a range of other activities which we knew would attract people maximising the footfall and encouraging people to engage.

with colour changing light up cushion

The theme chosen to celebrate was Hershel and the Hanukkah Goblins. This sensory story experience was constructed based on the story by Eric Kimmel. The tented area was dressed as the old Synagogue on the hill using printed shower curtains, metallic fabrics and space blankets. Fake vines tumbled over the window and doorway. The area was lit using battery operated candles and tube lights.

Life size puppet of the King of the Goblins

To open the Synagogue door a Big Mack switch was pressed to give a creaky sound. Inside the Synagogue were various sensory items, a Goblin throne with colour changing light up cushion, a jar of Hanukkah Gilt, a jar with the smell of pickles and some puppets to represent the Goblin inhabitants.  Spaces outside of the tented area reflected wintry village scenes, around which were spaced interactive cause and effect toys such as dancing and singing snowmen, light up spinning Dreidels and other snowy themed objects. Fake snow was chilled in the freezer and used as a tactile sensory prop. In the corner sat the King of the Goblins, a home made life size puppet. Apps on the Interactive Magic Carpet and different sounds were used to enhance and add atmosphere to details of the story.

Winter Wonderland Theme  14th – 31st January 

Winter Wonderland was a homemade sensory tale based around waking up in the morning, drawing back the curtains to be surprised by a new world covered in snow. Events then proceeded from feeding the cause and effect singing birds to trekking through the snow to the park to meet with friends, having a snowball fight and building a snowman. The tented area was turned into an ice cave using foil blankets, battery operated blue fibre optic lights. Inside the cave lived the interactive dancing polar bear.

The tented area was dressed as the old Synagogue on the hill

A total of 34 individual sessions were offered lasting up to an hour each and were available to be booked on a 1-1 or group basis. Take up was excellent and 19 individuals benefitted visiting the space for a total of 37 visits.

In addition when the opportunity arose spontaneous sessions were offered encouraging people who may not have booked the session or might have been reluctant to engage. This enabled a further 8 people to participate on 18 separate occasions.

Inside the tented cave with an interactive dancing polar bear

Journey into Space Theme 11th – 28th February

tented area dressed as a space capsule using printed images of the control panels
Various light effect and tactile space themed sensory items

Our journey to space was another homemade story. We blasted off on our mission to Jupiter using a countdown on a Big Mack switch.  This time the tented area was dressed as a space capsule using printed images of the control panels with the infinity tunnel to add depth to the controls. The surrounding areas were decorated with images of space, inflatable planets, fibre optics, projections onto an umbrella and various light effect and tactile space themed sensory items. Drama was created during the telling of the story using interactive apps on the Magic Carpet such as Asteroid Storm.

A total of 30 individual sessions were offered which lasted up to an hour each and were available to be booked on a 1-1 or group basis. Take up was excellent and 15 individuals benefitted visiting the space for a total of 32 visits.

In addition when the opportunity arose spontaneous sessions were offered encouraging people who may not have booked a session or might have initially been reluctant to engage. This enabled a further 8 people to participate on 11 separate occasions.

Lenny

Lenny standing in the interactive space
Lenny observing the interactive lights

Lenny who is now in his 70’s has lived at Norwood Ravenswood Village since he was a very young man. He used to be very active, attending many of the different activities and classes that were provided by the on-site team. He not only enjoyed the challenges of the activities but also loved to chat to his staff, volunteers and friends. 

Unfortunately, Lenny now has the onset of Dementia which is affecting his ability to engage and participate. He can become very anxious and confused at times, finding it difficult to focus or relax. Lenny was referred by his home to access the sensory space as it was thought that it could be beneficial to his well being.

At first, Lenny was very unwilling to come in. Therefore the approach taken was to bring smaller sensory items to him while he spent time in the Café with the idea to trigger some interest from Lenny and at the same time building a relationship with him so he felt more comfortable. A very life like cat puppet was used to engage Lenny as he loves to interact with the puppet, petting it and talking to it. This helped Lenny to relax and he was more willing to go into the sensory space if he knew the cat was going to be there.

Lenny holding a very soft tactile mood cushion with colour changing lights.

With support, Lenny is now accessing the space on a regular basis. He has been very engaged, exploring and experimenting with many of the sensory items that are presented to him. Often within the sensory storytelling there is something that will trigger a memory which he likes to discuss. The most profound impact for Lenny has been that he has found a tranquil space inside the inner tent where he has chosen to sit and relax quite comfortably for periods of time. He likes to observe the colouring changing lights and took a particular liking to a very soft tactile mood cushion which has colour changing lights. 

Chris

Chris in his wheelchair in the interactive space

Chris is a young man who has attended Norwood’s Ravenswood Village on a daily basis for a number of years to participate in Complementary Service activities. He is a very social young man who is always anxious to communicate with you. He likes to give you eye contact, communicating through gesture and vocalisation and he likes it when you sign good morning to him. Frequently he will sign back and offer you the most wonderful smile.

Chris with a face of delight as he enjoys the interactive space

Chris spends quite a lot of time in the Café area with some of his peers doing different activities. Over a period of time, he had been observing people going in and out of the sensory space. He kept looking over, appearing very interested. I started to invite him in on a regular basis to experience the new environments and explore some of the sensory items. He has demonstrated a particular interest in the magic carpet. He likes to release his feet from his footplates and use his foot movements to cause a change on the magic carpet. With changing responses of movement, sound or colour on the magic carpet to his movements his actions become more targeted. His pace and frequency of movement will change if he finds it very amusing. He will enthusiastically lift his arms and laugh with delight.

Chris laughing at the hand puppet

Another aspect of the sensory stories that has appealed to Chris’s playful nature has been the use of puppets. He likes you to interact with him using the puppet. Using gesture he will request to activate the puppet himself then will attempt to mirror your actions with the puppet placed on his hand. When using the puppets he has also initiated interactions with some of his peers.

Benefits of Social interaction

One of the benefits of having a very special sensory place where people can come together to participate in a sensory story with peers or simply immerse themselves in a sensory, imaginative world has been the new opportunities for social engagement. When coming into the space people tend to relax and lose some of their inhibitions. Many very positive interactions have taken place between the people we support and staff as a result.

People standing interacting with the interactive space

Mark Hunt, Operations Manager at Ravenswood said, ‘The service is well used and enjoyed by many of the people living at Ravenswood because the equipment is easily adaptable to meet the wide variety of needs that people have. The themed sessions are very well received and can be tailored to meet the sensory needs of the people in the session so that everyone is involved as much as they want to.’

This is a living project that has been designed to grow and evolve to reflect the interests of those participating, therefore, we have only just begun the journey. The scope is unlimited and we are really excited to continue on our path.


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